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更新时间：2023-09-04 05:29
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本片是受奥地利剧作家亚瑟·施尼茨勒的《轮舞》的启发，导演费尔南多·梅里尔斯和编剧将原著中摩登又不停变化的螺旋叙事整合成一个故事，通过剧中人物串联起来：他们来自不同的国家和城市，共同讲述在21世纪生动，充满悬念又感人至深的爱情传说。故事起自维也纳，影片美妙的将巴黎，伦敦，布拉迪斯拉发，里约，丹佛和菲尼克斯，不同城市的人们编织出一幅简单却又令人如痴如醉的叙述。
长篇影评
1 ) monologue
我觉得这是一个很好的多线叙事的范例，不知道为什么有人说差。Anyway，Anthony Hopkins的那段，让我印象极其深刻。我不喜欢看老人戏，但是老戏骨太牛掰，那一个眼神一个表情都直达你的内心。我觉得他那一大段monologue，如果被别人说来，我一定早就出戏了。结果被他说得。。。以后有男同学要去试镜，需要准备monoloque，这段真正好！（扒下来之后觉得，台词真一般，被他说过之后的味道才这么好！！！）
"see you next time"
they're 4 innocent enough words
but they went through me like a knife.
because in that moment I realized to them I'd become a familiar face.
A joke. You know, the British guy who's running a one-man campaign stubbornly scratching away,
refusing to do what you've all been urging me to do for years and years.
You move on, let go and all that stuff.
Yeah, it's not easy.
I got sober a long time ago out in Los Angeles. 35, 36 years ago.
I was crazy, insane. I was sickened to death, drunk and insane and…
I was sentenced to AA meetings and I hated the damn things.
I hated all this.. "God" stuff. I made me wanna puke.
Move on, let go, let God… surrender and win… I was a winner.
I've been a winner all my life.
And...
but I was fighting all the time and…
Anyway, cut a long story short, there was this old man, a priest.
A Jesuit priest.
His name was Father Joe Riley.
And I'll never forget him as long as I live.
And one night I was about to leave the meeting.
He stood in my way. Said "where the hell do you think you're going?"
I said you get out of my way.
He said you're not going anywhere.
He looked up to my face, had these piercing blue eyes
and a cigarette in his mouth and he said "you know…"
he said "You look like, to me, you look like you're busted, disgusted and not to be trusted."
And he was right.
I wasn't to be trusted by anyone. I'd never trust myself even.
And one day I asked him, "Okay, Father…"
I called him Father and he got a kick out of that.
I said "you know all the answers, you must be a smart guy. What's the shortest, most powerful prayer in the world?"
I needed quick answers
So I wanted to be back on the fast track.
I said "What is the fastest, most powerful prayer in the world?"
Fastest, most powerful prayer in the world, he looked at me, he said:
"Fastest, most powerful prayer in the world, I'm afraid is Fuck It."
Father Joe Riley. He was a Jesuit priest. Fuck it. Can you believe it?
He said "It's the prayer of release and surrender" and I felt the whole weight of the world going off my shoulders.
And just before Father Riley died I asked him. I said: "How do I get it? How do I know?"
He said: "You will see when you're ready to see; You will hear when you're ready to hear."
He said "You're a particularly tough nut".
And the weird thing is it happened 2 days ago.
I was traveling on my way here with a young girl from Brazil. She was a kid.
Beautiful little thing. Her name was Laura.
And there was a snow storm at Denver.
Flights were delayed and we arranged to have dinner and when I showed up she wasn't there.
But she left me this note. Can I… Hold on, let me…
And… she said "Ran into someone cute. Never done this kind of thing before. But you only live once. How many chances do we get?"
Out of the mouths of babies and sucklings thou hast perfected praise.
The guy was right whoever wrote that stuff.
And it's taken me all these years.
And I tell you, if my… if my daughter is alive, she knows where I am, where to find me.
And her silence means that she's probably made the choice not to be in touch.
But if she's dead… then she's dead.
And she's gone for ever.
And I have to move on and forget and let go.
Weird stuff.
Wow, I tell you, it's a mystery, all of it.
Anyway, I'll shut up now. Thanks for listening.
"see you next time"
they're 4 innocent enough words
but they went through me like a knife.
because in that moment I realized to them I'd become a familiar face.
A joke. You know, the British guy who's running a one-man campaign stubbornly scratching away,
refusing to do what you've all been urging me to do for years and years.
You move on, let go and all that stuff.
Yeah, it's not easy.
I got sober a long time ago out in Los Angeles. 35, 36 years ago.
I was crazy, insane. I was sickened to death, drunk and insane and…
I was sentenced to AA meetings and I hated the damn things.
I hated all this.. "God" stuff. I made me wanna puke.
Move on, let go, let God… surrender and win… I was a winner.
I've been a winner all my life.
And...
but I was fighting all the time and…
Anyway, cut a long story short, there was this old man, a priest.
A Jesuit priest.
His name was Father Joe Riley.
And I'll never forget him as long as I live.
And one night I was about to leave the meeting.
He stood in my way. Said "where the hell do you think you're going?"
I said you get out of my way.
He said you're not going anywhere.
He looked up to my face, had these piercing blue eyes
and a cigarette in his mouth and he said "you know…"
he said "You look like, to me, you look like you're busted, disgusted and not to be trusted."
And he was right.
I wasn't to be trusted by anyone. I'd never trust myself even.
And one day I asked him, "Okay, Father…"
I called him Father and he got a kick out of that.
I said "you know all the answers, you must be a smart guy. What's the shortest, most powerful prayer in the world?"
I needed quick answers
So I wanted to be back on the fast track.
I said "What is the fastest, most powerful prayer in the world?"
Fastest, most powerful prayer in the world, he looked at me, he said:
"Fastest, most powerful prayer in the world, I'm afraid is Fuck It."
Father Joe Riley. He was a Jesuit priest. Fuck it. Can you believe it?
He said "It's the prayer of release and surrender" and I felt the whole weight of the world going off my shoulders.
And just before Father Riley died I asked him. I said: "How do I get it? How do I know?"
He said: "You will see when you're ready to see; You will hear when you're ready to hear."
He said "You're a particularly tough nut".
And the weird thing is it happened 2 days ago.
I was traveling on my way here with a young girl from Brazil. She was a kid.
Beautiful little thing. Her name was Laura.
And there was a snow storm at Denver.
Flights were delayed and we arranged to have dinner and when I showed up she wasn't there.
But she left me this note. Can I… Hold on, let me…
And… she said "Ran into someone cute. Never done this kind of thing before. But you only live once. How many chances do we get?"
Out of the mouths of babies and sucklings thou hast perfected praise.
The guy was right whoever wrote that stuff.
And it's taken me all these years.
And I tell you, if my… if my daughter is alive, she knows where I am, where to find me.
And her silence means that she's probably made the choice not to be in touch.
But if she's dead… then she's dead.
And she's gone for ever.
And I have to move on and forget and let go.
Weird stuff.
Wow, I tell you, it's a mystery, all of it.
Anyway, I'll shut up now. Thanks for listening.
2 ) 记录看过的电影
大概是从上了大二开始，喜欢上看慢节奏的电影，或者说是文艺电影。这类电影就适合一个人看，手边有茶的喝茶，有水的喝水。更适合旅行的时候，每次出发前下载下来，在高铁上看，也可以消磨网络诈尸的旅途。
今晚的回家路看完了《圆舞360》，它很真实的描述了现实的爱情，也展示了不同人在社会中的生活图画。商人、牙医、犯人、心理医生、拉皮条的、黑道的、妓女、被男朋友背叛的女孩、女儿失踪的父亲。
每个人物都用平淡的方式，讲述它并不平淡又在情理之中的生活。所有人都直接或间接的有接触，让你在感叹世界真小的同时，更感叹同人不同命，命运的参差不齐。
我喜欢这种看完后可以回味很久的电影，喜欢它里面的冲突，喜欢它悲剧但又现实的故事。
人间砧板，说的就是我吧。
3 ) 女主角毕竟是鸡啊
瑞切尔薇姿 裘德洛 安东尼霍普金斯：第一个一百八十度是不朽的园丁在兵临城下之时冒死捍卫羔羊的沉默 当看到它的背面之时你会发现王尔德在遭遇陌生人之时早已爱上了蔚蓝深海。我们的生活为什么是周而复始的三百六十度呢？我又有多少个第一次和岔路口可以遇到和选择呢？只能继续生活着并且看着！
4 ) 圆舞360
#微影评#《360》影片由几个小故事串连而成，当中的人物有着不同的身份、遭遇和情感经历，但命运的安排却将这些角色联系起来。尽管各个故事看似独立，但经过精密的安排让角色之间相互影响，因此影片整体看来还算和谐。本片属于温馨治愈系，适合静静欣赏。
5 ) 360广告
这片子如果是360的赞助， 稍微加入点网络元素，360真的在了！！
费尔南多·梅里尔斯 这巴西的导演鼎鼎大名一部《上帝之城》已经足够让人震撼。再看演员：裘德·洛 安东尼·霍普金斯 之流，就是不认识名字，就光脸也够有影响力的。 这样的片子真的应该毫不犹豫的去看。
片子用了一个圆形的叙述方式，有点像《撞车》，说了许多不同的小故事。360度在世界多个城市拍摄完成。 这个调调我真是喜欢。
摄影没的说，太帮了。美的无法说，当国内还在用几个小时刻画一张脸，追究着像油画一样的镜头时，这个导演已经走到了当代，3画面的连接过场（处处存在），时不时的加入快速的剪辑（司机机场接老大上车的镜头），还有一些广告的单镜头连拍（男摄影师ml之后回家的镜头）。。。。。这个才叫时尚，充满了时代感 ，每一个镜头充满的想象力，可以说是一个当代摄影的盛宴。 当我还在一贞一贞的研究《上帝之城》的镜头时，费尔南多·梅里尔斯已经走到了这里，我居然赶不上一个老家伙。说真的感谢导演和摄影，我让从新定义了一下我以前学习和了解技巧。
故事是要阐述的很多问题，但是最根本的是人生吧。通过几个小段落，几个人物的不同，不紧不慢，不扇情，叙述手法很小资，属于精英文化，所以必然有人不喜欢。 但是他是写实的。
演员的阵容，除了演技，那一定是票房的保证，这个风格的电影，一定有他的收视群体。
我又忍不住唠叨国内的电影了，希望导演们多点创意，多点坚持，你们挣的钱已经够多了，别总是拿着票房说是事儿。 如果你们真有本事，让大家眼睛亮一下多好啊。 也对的起自己人生，别混了，真的别混了。
费尔南多·梅里尔斯 这巴西的导演鼎鼎大名一部《上帝之城》已经足够让人震撼。再看演员：裘德·洛 安东尼·霍普金斯 之流，就是不认识名字，就光脸也够有影响力的。 这样的片子真的应该毫不犹豫的去看。
片子用了一个圆形的叙述方式，有点像《撞车》，说了许多不同的小故事。360度在世界多个城市拍摄完成。 这个调调我真是喜欢。
摄影没的说，太帮了。美的无法说，当国内还在用几个小时刻画一张脸，追究着像油画一样的镜头时，这个导演已经走到了当代，3画面的连接过场（处处存在），时不时的加入快速的剪辑（司机机场接老大上车的镜头），还有一些广告的单镜头连拍（男摄影师ml之后回家的镜头）。。。。。这个才叫时尚，充满了时代感 ，每一个镜头充满的想象力，可以说是一个当代摄影的盛宴。 当我还在一贞一贞的研究《上帝之城》的镜头时，费尔南多·梅里尔斯已经走到了这里，我居然赶不上一个老家伙。说真的感谢导演和摄影，我让从新定义了一下我以前学习和了解技巧。
故事是要阐述的很多问题，但是最根本的是人生吧。通过几个小段落，几个人物的不同，不紧不慢，不扇情，叙述手法很小资，属于精英文化，所以必然有人不喜欢。 但是他是写实的。
演员的阵容，除了演技，那一定是票房的保证，这个风格的电影，一定有他的收视群体。
我又忍不住唠叨国内的电影了，希望导演们多点创意，多点坚持，你们挣的钱已经够多了，别总是拿着票房说是事儿。 如果你们真有本事，让大家眼睛亮一下多好啊。 也对的起自己人生，别混了，真的别混了。
6 ) 人生就是一个圆
片名太切题了！
人生就是一个圆，走来走去，终点往往又回到原点；世界也是一个圆，方方面面的人看似没有关系，却偏偏有着错综复杂千丝万缕的联系。你去做一件事，是因为她做了一件事，而你做了一件事，又影响了她做另一件事，她做的一件事，可能又影响了他做一件事。借用那句有名的话来说就是，你的一小步，是别人的一大步。。。因缘际会，因果循环，人生就是这样奇妙。
幸好导演和编剧都带着莫大的善意来对待这部电影，所以，在经历了那么多波折之后，我们不曾看到一个悲剧的结局。他和她还是彼此的她和他，他们和她们都可以充满憧憬地开始新生活。除去恶有恶报，每个人的行动给另一个人带来的都是好的开端。这大概就是一部电影所能传达的最好的思想了吧。
人生就是一个圆，走来走去，终点往往又回到原点；世界也是一个圆，方方面面的人看似没有关系，却偏偏有着错综复杂千丝万缕的联系。你去做一件事，是因为她做了一件事，而你做了一件事，又影响了她做另一件事，她做的一件事，可能又影响了他做一件事。借用那句有名的话来说就是，你的一小步，是别人的一大步。。。因缘际会，因果循环，人生就是这样奇妙。
幸好导演和编剧都带着莫大的善意来对待这部电影，所以，在经历了那么多波折之后，我们不曾看到一个悲剧的结局。他和她还是彼此的她和他，他们和她们都可以充满憧憬地开始新生活。除去恶有恶报，每个人的行动给另一个人带来的都是好的开端。这大概就是一部电影所能传达的最好的思想了吧。
这是要把世界各个国家都拉进来么？结果就是各国的操各种语言的演员的走马观花的大罗列，多线叙事的安排拙劣无力，毫无自然的衔接，每个故事的发展又极尽不合逻辑，除了配乐其余相当失败
如果遇到岔路口。那就选一条路。
每一段独立的都很舒服，拼凑起来有有点弱。。。演员都很好，anna妹妹实在太赞了
好几门外语啊～～～～听得我都晕了。。。。。每个故事单拿出来都不错的。演员也有趣，但是讲故事不能太贪，一个讲好就不容易了，别求每个都好还要故事之间有内在逻辑。。。
圆形叙事、全球背景、哲学意义的片名，都没能焕发出该有的神采；叙事散乱、线索不清晰、故事浅尝辄止，本该引发的思考停留在蜻蜓点水的状态。也许，这都是导演追求的效果，意在给观者更大的空间，但本人以为，这部片子要比《巴别塔》弱了很多。
OST当收，卡司大亮。但个人不喜欢把这些故事故意串起起来。原本random的设定昭揭的是一种无处不在的概率一种人类社会的必然。找根线头栓在一起就变成了一种机缘巧合的关联一种命中注定的难逃。就算墨镜王也不会做这么刻意的附会。
头重脚轻。
环形结构下包裹的剧情如同一潭死水，剧本的薄弱令这个多线性故事显得那样不堪一击，好像环与环之间的连接随时都会散掉一样。影片以“选择”为主题，最后不过是出轨夫妇回归家庭，作奸犯科者重新做人这样的陈词滥调，角色间的碰撞也是点到即止，浪费了像安东尼·霍普金斯这样的好演员。
演员和剧情都不错，很多熟脸，剧情也有张力。电影结束有一种值得回味的感觉。
剧作受奥地利作家亚瑟·施尼茨勒的《轮舞》启发，以全球化的地域和人物来探讨现代人的爱情，剧本显得笨拙臃肿，缺少新意，高潮平淡。多线叙事，关系交织的人物都是应景般的蜻蜓点水。几位明星配上一对陌生的面孔，戏剧性薄弱，故事欠缺力度，白白浪费了一堆好演员，电影似乎走马观花啥都没说。★★
在欧洲生活的外国人必看。摄影风格无需多言，看预告就知道是我的大菜。此类小故事人物关系串联被此片玩到极致了，好累，感觉我不会再拍了。结局出人意料得圆满，看惯了现实残酷的觉得偶尔看个小团圆也好，能把这么俗的结尾拍出feel来算丫本事。
既然叫《360》，这个故事根本就不圆嘛，也完全没有轮舞那种螺旋交织的乐趣。作为多线故事，这部影片还是有点太散了，缺少那种环环相扣的乐趣。还不如重看一遍马克斯·奥菲尔斯那版
华丽丽滴演出阵容
多线叙事，环形结构，大牌明星群戏，≪上帝之城≫导演，但是太无聊了，大卡斯带来的大垃圾。
神马啊，根本没怎么转圈圈，故事也太零碎，没交集，白开水
看的伦敦电影节开幕场，有点太长太平淡了。Idea是很好，可惜没高潮没让人激动的地方。
关于爱情与选择的故事
冈萨雷斯把这种多人的叙事方法又带火之后，这种题材的电影越来越多。但把这种故事说好是很看导演功力的。电影很取巧，但不足够好看。缺点很明显，想当然的情节也很多。人为的推动过于明显。
吾之毒药，彼之蜜糖。
恰到好处的因果圆舞，风光甚美~